Bendi新闻
>
‘Blossoms Shanghai’: Wong Kar-wai’s Love Letter to His Hometown

‘Blossoms Shanghai’: Wong Kar-wai’s Love Letter to His Hometown

9月前


A passion project that took three years to film, the hit series is unlike anything else on Chinese TV.
It may be early, but “Blossoms Shanghai” seems a shoo-in for Chinese critics’ “best of 2024” lists. In a matter of weeks, the 30-episode series, which is based on Jin Yucheng’s award-winning novel “Blossoms” and directed by Shanghai native Wong Kar-wai, overcame a skeptical public and challenging three-year production process to become one of China’s most talked-about dramas in years.
Crucial to the show’s success is the interplay between Wong’s impressionist directing style and the novel’s fine-grained obsession with the details of life in Shanghai in the second half of the 20th century. The end result is less a faithful adaptation of Jin’s novel and more a reinterpretation, with the famed director reimagining the characters of the novel to fit his own, highly stylized vision of the city.
Although more associated with Hong Kong, Wong was born and spent the first five years of his life in Shanghai, and his memories of the city have always been a formative part of his work. To name just one example, the Shanghainese matriarchs played by Rebecca Pan, a Shanghai-born singer and actress, in Wong’s masterpieces “Days of Being Wild” and “In the Mood for Love” bear a noticeable resemblance to Wong’s own mother.

Rebecca Pan Di-hua in “In the Mood for Love.” From Douban

“Blossoms Shanghai” draws more heavily from Wong’s memories of the city as it was in the 1990s, when he returned to visit his family on the Chinese mainland. He bathes his characters in golden light while sprinkling in nostalgic details from the era: views of the Huangpu River through a window of the Peace Hotel, old lane homes packed with families, food like sticky rice rolls and braised pork ribs, and frequent shots of a still under-construction Oriental Pearl Tower — all of which speak to the transformative changes the city underwent during the ’90s.
Wong has always been fascinated by the effects of time on memory and understanding — not for nothing did the British film critic Tony Rayns call him a “poet of time.” Here he plays on audience stereotypes to blur the line between the Shanghai of the 1990s and the city’s past.
Nowhere is this more evident than in the character of Uncle Ye (You Benchang). Skipping over the parts of the novel dealing with the 1960s, ’70s, and ’80s, Wang and Qin introduce us to the show’s protagonist, A Bao (Hu Ge), a businessman poised to profit from Shanghai’s belated embrace of market reforms. Uncle Ye, who does not appear in the novel, is both A Bao’s guide and his link to Shanghai’s last great boom. A businessman himself, Uncle Ye experienced the ups and downs of trade along the Bund in the 1930s. After A Bao makes a fortune on the stock market, it is Uncle Ye who helps him find a tailor to make his first bespoke suit. When he sees the results, his eyes well up at the return of a Shanghai he never thought he’d see again.

A still shows Uncle Ye from “Blossoms Shanghai.” From Douban
At times, “Blossoms Shanghai” can feel like a highlight reel of reform-era Shanghai, as A Bao witnesses firsthand the rise of China’s stock market, the return of global luxury brands to Nanjing Road, and the sale of state-owned land. But Wong, who honed his craft in Hong Kong’s television industry, keeps the show on track with a generous helping of business intrigue and gangster-style brotherhood. He does not dwell on the details of A Bao’s business, but shows him to be unswervingly loyal to the men and women he knew before his success.
The series’ real draw, though, is Wong’s craftsmanship. Wong was given remarkable leeway to make the show his way, and he responded by seeking out actors from Shanghai and the surrounding areas and pushing them to their limits, requiring take after take until their subconscious and local habits began to peek through in their performances. Whenever possible, he hid his camera from the actors and encouraged them to behave naturally, trusting that their memories of growing up in the city would add to their performances.
That’s an unheard-of approach to television filmmaking in China, and helped stretch the production process out over three years. But it’s hard to argue with the results. While some critics have complained that the story leans too hard into the tropes of Hong Kong TV, the details — from the props to the actors’ smallest tics — feel inexpressibly, authentically Shanghainese. The result is not a portrait of the “real” Shanghai of the ’90s, but a sketch that captures the mood of its people at that moment in time.
Besides, for Wong, who has done as much as anyone to shape public perceptions of Hong Kong, the line between the two cities has always been blurred. In a foreword to “Blossoms” written in 2011, Jin described watching the end of Wong’s “Days of Being Wild” and being struck by how much like Shanghai it felt, despite the film’s Hong Kong setting: “Suddenly everything flipped. Those 30 seconds had the flavor of Shanghai.”
Two years later, Wong experienced something similar when reading “Blossoms.” “This book is the story of my brother and sister,” he later told Jin.
Memories are imperfect. Whether in Jin’s novel or Wong’s reinterpretation, there is no fixed reality of what Shanghai was like in the 1990s — only our recollections of it. But that is also the point: When nothing is defined, anything is possible.
Liu Qing is an editor at the Shanghai-based newspaper Wenhui Bao.
Translator: David Ball; editor: Wu Haiyun.
(Header image: Left: Wong Kar-wai in 2000. Neville Elder/Corbis via VCG; Right: A still from “Blossoms Shanghai.” From Douban)
Download the new Sixth Tone app at the App Store or Google Play
APK file for Android:
https://image4.sixthtone.com/pkg/sixthtone.apk
(Copy URL and open in browser)

微信扫码关注该文公众号作者

来源:Sixth Tone

相关新闻

Chinese Parents Turn to ‘Magic Potions’ to Help Kids Run FasterChinese Parents Falling Prey to Dubious Myopia ‘Miracle Cures’胸部托举新标杆!告别‘晃’‘扯’,轻松拥有诱人曲线!Can Women Be ‘Xiansheng’?Guangzhou District Offers Homebuyers Free ‘Hukou’ BenefitsDiversity in Unity: Exploring the Many ‘Bodies’ of Chinese DanceThe ‘Whistleblower’ of Shanghai’s First World Heritage Site[哈哈]“我儿子‘死了’” 马斯克谈孩子变性 称被骗同意手术从‘脖子杀手’到‘颈椎天使’,就差一个托!“我儿子‘死了’” 马斯克谈孩子变性 称被骗同意手术英国入籍和‘绿卡’竟不是一回事?哪些人适合入英籍?注意离境天数有要求!加州限定‘甜心’!今年的第一口香槟糖果葡萄,甜到心坎里的甜蜜炸弹~一‘鸡’难求的纯走地鸡终于补了!北美超稀有的正宗龙岗鸡!鲜嫩多汁,“鸡味“十足~Life Among China’s ‘Apprentice’ LivestreamersThe ‘Pink’ Premium: Why Women in China Still Pay More for Less2024‘‘声’’如夏花·决赛赛制及评委阵容详解大翻车!Costco顶流烤鸡换‘皮肤’,网友大呼“不能忍”!澳洲惊现最火爆的全民大讨论:“是只有我一个人觉得澳洲现在好‘无聊’吗?”卡米拉竟是孙辈们心中的时尚奶奶!前儿媳:王后超爱孩子,绰号是‘嘎嘎’?有中国人在靖国神社撒尿、喷写‘厕所’,如何回应?【拼手速】Dadoo面包一‘包’难求?真红薯 & 栗子面包火热上架~China’s ‘Supernanny’ Stirs Controversy With Ultra-Harsh Methods水润一‘夏’!香槟芒果/小西瓜甜蜜7折起,还有天津带刺黄瓜/薏米水消暑必备知名远程控制工具、TeamViewer开源替代‘RustDesk’已暂停国内服务
logo
联系我们隐私协议©2024 bendi.news
Bendi新闻
Bendi.news刊载任何文章,不代表同意其说法或描述,仅为提供更多信息,也不构成任何建议。文章信息的合法性及真实性由其作者负责,与Bendi.news及其运营公司无关。欢迎投稿,如发现稿件侵权,或作者不愿在本网发表文章,请版权拥有者通知本网处理。